Eric Gill (1882 - 1940)
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Adam and Eve in Heaven by Eric Gill
Adam and Eve in Heaven. 1927
Christ and the Money Changers by Eric Gill
Christ and the Money Changers. 1919
Clothes for Dignity and Adornment by Eric Gill
Clothes for Dignity and Adornment. 1927
Earth Waiting by Eric Gill
Earth Waiting. 1926
Hog and Wheatsheaf by Eric Gill
Hog and Wheatsheaf. 1915
Mother and Child by Eric Gill
Mother and Child. 1923
Nature and Nakedness by Eric Gill
Nature and Nakedness. 1930
Nature and Nakedness <br/> signed wood engraving by Eric Gill
Nature and Nakedness
signed wood engraving. 1930

Self Portrait by Eric Gill
Self Portrait. 1927
The Harem by Eric Gill
The Harem. 1925
The Knight's Tale by Eric Gill
The Knight's Tale. 1928
The Miller's Tale by Eric Gill
The Miller's Tale. 1928
The Resurrection by Eric Gill
The Resurrection. 1917
The Shipman's Tale by Eric Gill
The Shipman's Tale. 1929
Vadam ad Montem by Eric Gill
Vadam ad Montem. 1931
Venus and Cupid with Golden Cockerel by Eric Gill
Venus and Cupid with Golden Cockerel. 1928
Venus Holding Spray  <br/> and Cupid Playing Football by Eric Gill
Venus Holding Spray
and Cupid Playing Football. 1929

Virgin and Child by Eric Gill
Virgin and Child. 1931


Eric Gill was an English sculptor, letter-cutter, typographic designer, calligrapher, engraver, writer and teacher. After he married he began teaching writing and illumination at the Central School, and monumental masonry and lettering for masons. In 1907 Gill moved with his family to Ditchling in Sussex. At Ditchling Gill encouraged craftsmen to pursue their skills in wood-engraving, calligraphy, weaving, silverwork, stone-carving, carpentry, building and printing. In 1910 he began direct carving of stone figures. These included Madonna and Child (1910), which Fry described in 1911 as a depiction of ‘pathetic animalism'. Such semi-abstract sculptures showed Gill's appreciation of medieval ecclesiastical statuary, Egyptian, Greek and Indian sculpture, as well as the Post-Impressionism of Cézanne, van Gogh and Gauguin. His growing reputation, together with his conversion to Catholicism (1913), led to a commission from Westminster Cathedral for the Stations of the Cross. His Catholicism inspired other biblical works. His best-known commission on a secular subject was 'Prospero and Ariel' (1931) for the BBC at Broadcasting House, Langham Place, London.

From 1924 to 1928 Gill and his wife sought to recreate the Ditchling community at Capel y Ffin, a deserted monastic building in the Black Mountains of Wales, though its impracticality and remoteness persuaded them to move nearer to London, to Pigotts, near High Wycombe where Gill worked on carvings, on the writing of pamphlets, essays and books, and on engravings.

Among his finest achievements are the engravings for the Golden Cockerel Press. Gill's highly original typeface designs had a lasting influence on 20th-century printing.